Dublin Pony Kids

The children are not to be overlooked. In bareback piebald ponies they ride on streets, public squares, sidewalks around the city. They come from the bleak high-rise developments in the suburbs of Dublin, from Ballymun, Clondalkin and Finglad. Until the 1980s, their families were traveling people.

With their caravans and horse-drawn cart they traveled trough Ireland's roads, and were less and less welcome. They took leave of her vagabond life, but not of their ponies. So the origin and undemanding animals were tethered in the dim green between the skyscrapers or in public parks, some took his piebald also in the apartment.

Bored, neglected city children has become superfluous and Horses: This mixture became the youth subculture of the Pony Kids. Many boys and girls camp today with their horses in front yards or on city wasteland.

Dirk Gebhardt shot the documentary about the children and their horses without assigenment. Out of interest in the exciting story he set out to find those who are not among the winners. At his own expense, he photographed in the tradition of social reportage a moving story about a social phenomenon.

The children are not to be overlooked. In bareback piebald ponies they ride on streets, public squares, sidewalks around the city. They come from the bleak high-rise developments in the suburbs of Dublin, from Ballymun, Clondalkin and Finglad. Until the 1980s, their families were traveling people.

With their caravans and horse-drawn cart they traveled trough Ireland's roads, and were less and less welcome. They took leave of her vagabond life, but not of their ponies. So the origin and undemanding animals were tethered in the dim green between the skyscrapers or in public parks, some took his piebald also in the apartment.

Bored, neglected city children has become superfluous and Horses: This mixture became the youth subculture of the Pony Kids. Many boys and girls camp today with their horses in front yards or on city wasteland.

Dirk Gebhardt shot the documentary about the children and their horses without assigenment. Out of interest in the exciting story he set out to find those who are not among the winners. At his own expense, he photographed in the tradition of social reportage a moving story about a social phenomenon.

The children are not to be overlooked. In bareback piebald ponies they ride on streets, public squares, sidewalks around the city. They come from the bleak high-rise developments in the suburbs of Dublin, from Ballymun, Clondalkin and Finglad. Until the 1980s, their families were traveling people.

With their caravans and horse-drawn cart they traveled trough Ireland's roads, and were less and less welcome. They took leave of her vagabond life, but not of their ponies. So the origin and undemanding animals were tethered in the dim green between the skyscrapers or in public parks, some took his piebald also in the apartment.

Bored, neglected city children has become superfluous and Horses: This mixture became the youth subculture of the Pony Kids. Many boys and girls camp today with their horses in front yards or on city wasteland.

Dirk Gebhardt shot the documentary about the children and their horses without assigenment. Out of interest in the exciting story he set out to find those who are not among the winners. At his own expense, he photographed in the tradition of social reportage a moving story about a social phenomenon.

The children are not to be overlooked. In bareback piebald ponies they ride on streets, public squares, sidewalks around the city. They come from the bleak high-rise developments in the suburbs of Dublin, from Ballymun, Clondalkin and Finglad. Until the 1980s, their families were traveling people.

With their caravans and horse-drawn cart they traveled trough Ireland's roads, and were less and less welcome. They took leave of her vagabond life, but not of their ponies. So the origin and undemanding animals were tethered in the dim green between the skyscrapers or in public parks, some took his piebald also in the apartment.

Bored, neglected city children has become superfluous and Horses: This mixture became the youth subculture of the Pony Kids. Many boys and girls camp today with their horses in front yards or on city wasteland.

Dirk Gebhardt shot the documentary about the children and their horses without assigenment. Out of interest in the exciting story he set out to find those who are not among the winners. At his own expense, he photographed in the tradition of social reportage a moving story about a social phenomenon.

The children are not to be overlooked. In bareback piebald ponies they ride on streets, public squares, sidewalks around the city. They come from the bleak high-rise developments in the suburbs of Dublin, from Ballymun, Clondalkin and Finglad. Until the 1980s, their families were traveling people.

With their caravans and horse-drawn cart they traveled trough Ireland's roads, and were less and less welcome. They took leave of her vagabond life, but not of their ponies. So the origin and undemanding animals were tethered in the dim green between the skyscrapers or in public parks, some took his piebald also in the apartment.

Bored, neglected city children has become superfluous and Horses: This mixture became the youth subculture of the Pony Kids. Many boys and girls camp today with their horses in front yards or on city wasteland.

Dirk Gebhardt shot the documentary about the children and their horses without assigenment. Out of interest in the exciting story he set out to find those who are not among the winners. At his own expense, he photographed in the tradition of social reportage a moving story about a social phenomenon.

The children are not to be overlooked. In bareback piebald ponies they ride on streets, public squares, sidewalks around the city. They come from the bleak high-rise developments in the suburbs of Dublin, from Ballymun, Clondalkin and Finglad. Until the 1980s, their families were traveling people.

With their caravans and horse-drawn cart they traveled trough Ireland's roads, and were less and less welcome. They took leave of her vagabond life, but not of their ponies. So the origin and undemanding animals were tethered in the dim green between the skyscrapers or in public parks, some took his piebald also in the apartment.

Bored, neglected city children has become superfluous and Horses: This mixture became the youth subculture of the Pony Kids. Many boys and girls camp today with their horses in front yards or on city wasteland.

Dirk Gebhardt shot the documentary about the children and their horses without assigenment. Out of interest in the exciting story he set out to find those who are not among the winners. At his own expense, he photographed in the tradition of social reportage a moving story about a social phenomenon.

The children are not to be overlooked. In bareback piebald ponies they ride on streets, public squares, sidewalks around the city. They come from the bleak high-rise developments in the suburbs of Dublin, from Ballymun, Clondalkin and Finglad. Until the 1980s, their families were traveling people.

With their caravans and horse-drawn cart they traveled trough Ireland's roads, and were less and less welcome. They took leave of her vagabond life, but not of their ponies. So the origin and undemanding animals were tethered in the dim green between the skyscrapers or in public parks, some took his piebald also in the apartment.

Bored, neglected city children has become superfluous and Horses: This mixture became the youth subculture of the Pony Kids. Many boys and girls camp today with their horses in front yards or on city wasteland.

Dirk Gebhardt shot the documentary about the children and their horses without assigenment. Out of interest in the exciting story he set out to find those who are not among the winners. At his own expense, he photographed in the tradition of social reportage a moving story about a social phenomenon.

The children are not to be overlooked. In bareback piebald ponies they ride on streets, public squares, sidewalks around the city. They come from the bleak high-rise developments in the suburbs of Dublin, from Ballymun, Clondalkin and Finglad. Until the 1980s, their families were traveling people.

With their caravans and horse-drawn cart they traveled trough Ireland's roads, and were less and less welcome. They took leave of her vagabond life, but not of their ponies. So the origin and undemanding animals were tethered in the dim green between the skyscrapers or in public parks, some took his piebald also in the apartment.

Bored, neglected city children has become superfluous and Horses: This mixture became the youth subculture of the Pony Kids. Many boys and girls camp today with their horses in front yards or on city wasteland.

Dirk Gebhardt shot the documentary about the children and their horses without assigenment. Out of interest in the exciting story he set out to find those who are not among the winners. At his own expense, he photographed in the tradition of social reportage a moving story about a social phenomenon.

The children are not to be overlooked. In bareback piebald ponies they ride on streets, public squares, sidewalks around the city. They come from the bleak high-rise developments in the suburbs of Dublin, from Ballymun, Clondalkin and Finglad. Until the 1980s, their families were traveling people.

With their caravans and horse-drawn cart they traveled trough Ireland's roads, and were less and less welcome. They took leave of her vagabond life, but not of their ponies. So the origin and undemanding animals were tethered in the dim green between the skyscrapers or in public parks, some took his piebald also in the apartment.

Bored, neglected city children has become superfluous and Horses: This mixture became the youth subculture of the Pony Kids. Many boys and girls camp today with their horses in front yards or on city wasteland.

Dirk Gebhardt shot the documentary about the children and their horses without assigenment. Out of interest in the exciting story he set out to find those who are not among the winners. At his own expense, he photographed in the tradition of social reportage a moving story about a social phenomenon.

The children are not to be overlooked. In bareback piebald ponies they ride on streets, public squares, sidewalks around the city. They come from the bleak high-rise developments in the suburbs of Dublin, from Ballymun, Clondalkin and Finglad. Until the 1980s, their families were traveling people.

With their caravans and horse-drawn cart they traveled trough Ireland's roads, and were less and less welcome. They took leave of her vagabond life, but not of their ponies. So the origin and undemanding animals were tethered in the dim green between the skyscrapers or in public parks, some took his piebald also in the apartment.

Bored, neglected city children has become superfluous and Horses: This mixture became the youth subculture of the Pony Kids. Many boys and girls camp today with their horses in front yards or on city wasteland.

Dirk Gebhardt shot the documentary about the children and their horses without assigenment. Out of interest in the exciting story he set out to find those who are not among the winners. At his own expense, he photographed in the tradition of social reportage a moving story about a social phenomenon.

The children are not to be overlooked. In bareback piebald ponies they ride on streets, public squares, sidewalks around the city. They come from the bleak high-rise developments in the suburbs of Dublin, from Ballymun, Clondalkin and Finglad. Until the 1980s, their families were traveling people.

With their caravans and horse-drawn cart they traveled trough Ireland's roads, and were less and less welcome. They took leave of her vagabond life, but not of their ponies. So the origin and undemanding animals were tethered in the dim green between the skyscrapers or in public parks, some took his piebald also in the apartment.

Bored, neglected city children has become superfluous and Horses: This mixture became the youth subculture of the Pony Kids. Many boys and girls camp today with their horses in front yards or on city wasteland.

Dirk Gebhardt shot the documentary about the children and their horses without assigenment. Out of interest in the exciting story he set out to find those who are not among the winners. At his own expense, he photographed in the tradition of social reportage a moving story about a social phenomenon.

The children are not to be overlooked. In bareback piebald ponies they ride on streets, public squares, sidewalks around the city. They come from the bleak high-rise developments in the suburbs of Dublin, from Ballymun, Clondalkin and Finglad. Until the 1980s, their families were traveling people.

With their caravans and horse-drawn cart they traveled trough Ireland's roads, and were less and less welcome. They took leave of her vagabond life, but not of their ponies. So the origin and undemanding animals were tethered in the dim green between the skyscrapers or in public parks, some took his piebald also in the apartment.

Bored, neglected city children has become superfluous and Horses: This mixture became the youth subculture of the Pony Kids. Many boys and girls camp today with their horses in front yards or on city wasteland.

Dirk Gebhardt shot the documentary about the children and their horses without assigenment. Out of interest in the exciting story he set out to find those who are not among the winners. At his own expense, he photographed in the tradition of social reportage a moving story about a social phenomenon.

The children are not to be overlooked. In bareback piebald ponies they ride on streets, public squares, sidewalks around the city. They come from the bleak high-rise developments in the suburbs of Dublin, from Ballymun, Clondalkin and Finglad. Until the 1980s, their families were traveling people.

With their caravans and horse-drawn cart they traveled trough Ireland's roads, and were less and less welcome. They took leave of her vagabond life, but not of their ponies. So the origin and undemanding animals were tethered in the dim green between the skyscrapers or in public parks, some took his piebald also in the apartment.

Bored, neglected city children has become superfluous and Horses: This mixture became the youth subculture of the Pony Kids. Many boys and girls camp today with their horses in front yards or on city wasteland.

Dirk Gebhardt shot the documentary about the children and their horses without assigenment. Out of interest in the exciting story he set out to find those who are not among the winners. At his own expense, he photographed in the tradition of social reportage a moving story about a social phenomenon.

The children are not to be overlooked. In bareback piebald ponies they ride on streets, public squares, sidewalks around the city. They come from the bleak high-rise developments in the suburbs of Dublin, from Ballymun, Clondalkin and Finglad. Until the 1980s, their families were traveling people.

With their caravans and horse-drawn cart they traveled trough Ireland's roads, and were less and less welcome. They took leave of her vagabond life, but not of their ponies. So the origin and undemanding animals were tethered in the dim green between the skyscrapers or in public parks, some took his piebald also in the apartment.

Bored, neglected city children has become superfluous and Horses: This mixture became the youth subculture of the Pony Kids. Many boys and girls camp today with their horses in front yards or on city wasteland.

Dirk Gebhardt shot the documentary about the children and their horses without assigenment. Out of interest in the exciting story he set out to find those who are not among the winners. At his own expense, he photographed in the tradition of social reportage a moving story about a social phenomenon.

The children are not to be overlooked. In bareback piebald ponies they ride on streets, public squares, sidewalks around the city. They come from the bleak high-rise developments in the suburbs of Dublin, from Ballymun, Clondalkin and Finglad. Until the 1980s, their families were traveling people.

With their caravans and horse-drawn cart they traveled trough Ireland's roads, and were less and less welcome. They took leave of her vagabond life, but not of their ponies. So the origin and undemanding animals were tethered in the dim green between the skyscrapers or in public parks, some took his piebald also in the apartment.

Bored, neglected city children has become superfluous and Horses: This mixture became the youth subculture of the Pony Kids. Many boys and girls camp today with their horses in front yards or on city wasteland.

Dirk Gebhardt shot the documentary about the children and their horses without assigenment. Out of interest in the exciting story he set out to find those who are not among the winners. At his own expense, he photographed in the tradition of social reportage a moving story about a social phenomenon.

The children are not to be overlooked. In bareback piebald ponies they ride on streets, public squares, sidewalks around the city. They come from the bleak high-rise developments in the suburbs of Dublin, from Ballymun, Clondalkin and Finglad. Until the 1980s, their families were traveling people.

With their caravans and horse-drawn cart they traveled trough Ireland's roads, and were less and less welcome. They took leave of her vagabond life, but not of their ponies. So the origin and undemanding animals were tethered in the dim green between the skyscrapers or in public parks, some took his piebald also in the apartment.

Bored, neglected city children has become superfluous and Horses: This mixture became the youth subculture of the Pony Kids. Many boys and girls camp today with their horses in front yards or on city wasteland.

Dirk Gebhardt shot the documentary about the children and their horses without assigenment. Out of interest in the exciting story he set out to find those who are not among the winners. At his own expense, he photographed in the tradition of social reportage a moving story about a social phenomenon.

The children are not to be overlooked. In bareback piebald ponies they ride on streets, public squares, sidewalks around the city. They come from the bleak high-rise developments in the suburbs of Dublin, from Ballymun, Clondalkin and Finglad. Until the 1980s, their families were traveling people.

With their caravans and horse-drawn cart they traveled trough Ireland's roads, and were less and less welcome. They took leave of her vagabond life, but not of their ponies. So the origin and undemanding animals were tethered in the dim green between the skyscrapers or in public parks, some took his piebald also in the apartment.

Bored, neglected city children has become superfluous and Horses: This mixture became the youth subculture of the Pony Kids. Many boys and girls camp today with their horses in front yards or on city wasteland.

Dirk Gebhardt shot the documentary about the children and their horses without assigenment. Out of interest in the exciting story he set out to find those who are not among the winners. At his own expense, he photographed in the tradition of social reportage a moving story about a social phenomenon.

The children are not to be overlooked. In bareback piebald ponies they ride on streets, public squares, sidewalks around the city. They come from the bleak high-rise developments in the suburbs of Dublin, from Ballymun, Clondalkin and Finglad. Until the 1980s, their families were traveling people.

With their caravans and horse-drawn cart they traveled trough Ireland's roads, and were less and less welcome. They took leave of her vagabond life, but not of their ponies. So the origin and undemanding animals were tethered in the dim green between the skyscrapers or in public parks, some took his piebald also in the apartment.

Bored, neglected city children has become superfluous and Horses: This mixture became the youth subculture of the Pony Kids. Many boys and girls camp today with their horses in front yards or on city wasteland.

Dirk Gebhardt shot the documentary about the children and their horses without assigenment. Out of interest in the exciting story he set out to find those who are not among the winners. At his own expense, he photographed in the tradition of social reportage a moving story about a social phenomenon.

The children are not to be overlooked. In bareback piebald ponies they ride on streets, public squares, sidewalks around the city. They come from the bleak high-rise developments in the suburbs of Dublin, from Ballymun, Clondalkin and Finglad. Until the 1980s, their families were traveling people.

With their caravans and horse-drawn cart they traveled trough Ireland's roads, and were less and less welcome. They took leave of her vagabond life, but not of their ponies. So the origin and undemanding animals were tethered in the dim green between the skyscrapers or in public parks, some took his piebald also in the apartment.

Bored, neglected city children has become superfluous and Horses: This mixture became the youth subculture of the Pony Kids. Many boys and girls camp today with their horses in front yards or on city wasteland.

Dirk Gebhardt shot the documentary about the children and their horses without assigenment. Out of interest in the exciting story he set out to find those who are not among the winners. At his own expense, he photographed in the tradition of social reportage a moving story about a social phenomenon.

The children are not to be overlooked. In bareback piebald ponies they ride on streets, public squares, sidewalks around the city. They come from the bleak high-rise developments in the suburbs of Dublin, from Ballymun, Clondalkin and Finglad. Until the 1980s, their families were traveling people.

With their caravans and horse-drawn cart they traveled trough Ireland's roads, and were less and less welcome. They took leave of her vagabond life, but not of their ponies. So the origin and undemanding animals were tethered in the dim green between the skyscrapers or in public parks, some took his piebald also in the apartment.

Bored, neglected city children has become superfluous and Horses: This mixture became the youth subculture of the Pony Kids. Many boys and girls camp today with their horses in front yards or on city wasteland.

Dirk Gebhardt shot the documentary about the children and their horses without assigenment. Out of interest in the exciting story he set out to find those who are not among the winners. At his own expense, he photographed in the tradition of social reportage a moving story about a social phenomenon.

The children are not to be overlooked. In bareback piebald ponies they ride on streets, public squares, sidewalks around the city. They come from the bleak high-rise developments in the suburbs of Dublin, from Ballymun, Clondalkin and Finglad. Until the 1980s, their families were traveling people.

With their caravans and horse-drawn cart they traveled trough Ireland's roads, and were less and less welcome. They took leave of her vagabond life, but not of their ponies. So the origin and undemanding animals were tethered in the dim green between the skyscrapers or in public parks, some took his piebald also in the apartment.

Bored, neglected city children has become superfluous and Horses: This mixture became the youth subculture of the Pony Kids. Many boys and girls camp today with their horses in front yards or on city wasteland.

Dirk Gebhardt shot the documentary about the children and their horses without assigenment. Out of interest in the exciting story he set out to find those who are not among the winners. At his own expense, he photographed in the tradition of social reportage a moving story about a social phenomenon.

The children are not to be overlooked. In bareback piebald ponies they ride on streets, public squares, sidewalks around the city. They come from the bleak high-rise developments in the suburbs of Dublin, from Ballymun, Clondalkin and Finglad. Until the 1980s, their families were traveling people.

With their caravans and horse-drawn cart they traveled trough Ireland's roads, and were less and less welcome. They took leave of her vagabond life, but not of their ponies. So the origin and undemanding animals were tethered in the dim green between the skyscrapers or in public parks, some took his piebald also in the apartment.

Bored, neglected city children has become superfluous and Horses: This mixture became the youth subculture of the Pony Kids. Many boys and girls camp today with their horses in front yards or on city wasteland.

Dirk Gebhardt shot the documentary about the children and their horses without assigenment. Out of interest in the exciting story he set out to find those who are not among the winners. At his own expense, he photographed in the tradition of social reportage a moving story about a social phenomenon.

The children are not to be overlooked. In bareback piebald ponies they ride on streets, public squares, sidewalks around the city. They come from the bleak high-rise developments in the suburbs of Dublin, from Ballymun, Clondalkin and Finglad. Until the 1980s, their families were traveling people.

With their caravans and horse-drawn cart they traveled trough Ireland's roads, and were less and less welcome. They took leave of her vagabond life, but not of their ponies. So the origin and undemanding animals were tethered in the dim green between the skyscrapers or in public parks, some took his piebald also in the apartment.

Bored, neglected city children has become superfluous and Horses: This mixture became the youth subculture of the Pony Kids. Many boys and girls camp today with their horses in front yards or on city wasteland.

Dirk Gebhardt shot the documentary about the children and their horses without assigenment. Out of interest in the exciting story he set out to find those who are not among the winners. At his own expense, he photographed in the tradition of social reportage a moving story about a social phenomenon.